I did an interview with the New England Noise that's in their latest issue. Big thanks to Harry C. aka Mr. Curt. My favorite quote was: a gorgeous blend of overwhelming vocal talent, modern keyboard techniques, and contemporary sophistication.

Songs are strange critters: thoughts with interpretive sounds, all individually contained, promising more than less, in simple bursts of content, known or unknown. By now, having passed through so many genres and styles, when I hear something where all the diverse elements connect, I’m struck with a renewed sense of wonder and awakening. Some artists may take years of struggle to reach their goals, and sometimes, they’re able to hit their visionary bulls-eye early in their career. Let’s meet Courtney Swain, a young, shimmering performer whose second solo album, Monstre, combines a gorgeous blend of overwhelming vocal talent, modern keyboard techniques, and contemporary sophistication. Although I’ve possessed this disc for just a short time, the sheer power of self-determination, vision, and performance that blazes out of every bar of music is so obvious and so courageously implemented that I am in a state of virtual awe at the achievement. She’s also a member of Bent Knee, a fabulous art-rock ensemble that has been roaming our locales for almost six years. As we sat down to discuss her burgeoning career, I can’t help gushing over her ingenuity and convincing qualities. Her new album is already tops on my list of local albums for 2015…

Continue reading: Courtney Swain: The Broad Strokes of Imagination